| photo 1: |
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| Photo ID 2507 |
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lou
im atelier der pariser avantgarde, 1921
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COMMENTS:

quasimoder |
2005.02.02
| 11:56
die hatten aber ziemlich moderne frisuren!
2005.02.02
| 15:30
ist ja auch eine simulation aus den 1960ern
lou |
2005.02.02
| 17:14
genauer gesagt aus dem jahre 1957
sb |
2005.02.02
| 23:55
Ja, das paßt: James Dean vorne links.
doodel |
2009.11.01
| 07:35
ist doch avantgarde, die sind halt ganz weit vorn, auch mit den frisuren ;-)
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Substantiation |
| A group photo shot in an art studio probably in an art academy around the middle of the twentieth century, capturing an essence of the clichés about art that still endure today, maybe not entirely pointlessly. The naked female model appears as the centerpiece, an ideogram and emblem for artwork. The arrangement in this old black and white photo transforms a simple group photo into a symbol for art work and art conception of the time. That only works because of the contrast of posture and snapshot in the facial expressions and body language of the students (?), the strangeness that it creates, making this an unusual photo. |
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| Picture 2: |
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| Photo ID 2169 |
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Der Frieda-Kahlo-Effekt
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COMMENTS:

lou |
2005.01.07
| 17:14
who's frieda kahlo
Ernst Kahlo |
2005.01.10
| 18:07
Mexikanische Malerin halb deutsch-jüdischer Abstammung, hat Zehenspiegelung in der Wanne so gemalt.
Pepper DiFranco |
2005.10.12
| 10:31
wow, this is really cool.
I like feet, but is it a photo...?
Buiscuits are nice
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Substantiation |
| This technically unsophisticated photo catches a surprising observation during a tranquil moment of self-perception. It is an everyday and everyhuman situation; sitting in the bathtub watching the own toes, and observing how the toes reflect on the water surface, creating funny symmetrical toe objects. In its simplicity this picture holds a lot of placid sense of being, even involving some comic, and goes as far as to reflect human wonder on the self. |
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| Picture 3: |
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| Photo ID 2582 |
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Virgil Tolan
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Substantiation |
This is a photo of a beautiful wooden Christ statue, obviously under restoration. The wide cracks in the centuries old wood are filled with wooden wedges in an early stadium of conservation work. The wedges sticking out from the statue's head and chest seem to be axe and sword blades cutting through the statues' naked and vulnerable body. This impression is underlined by the fact that being a Christ statue the imaged man is weak and apparently fixed in a position that makes him defensless.
This is a Christ statue that on the one hand is being preserved from destruction, and on the other hand suggesting unspeakable mistreatment of a human body, seemingly showing uncanonical martyrdom and death. |
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